İngilizce Klasik Roman Seti 4 (5 Kitap Takım Tam Metin)

'...a human being, an intellectual human being who constantly bends the entire force of his mind on the ridiculous task of forcing a wooden king into the corner of a wooden board, and does it without going mad!'

A group of passengers on a cruise ship challenge the world chess champion to a match. At first, they crumble, until they are helped by whispered advice from a stranger in the crowd -a man who will risk everything to win.

Stefan Zweig's acclaimed novella Chess is a disturbing, intensely dramatic depiction of obsession and the price of genius.

 

 

The Metamorphosis, first published in 1915, is the most famous of Kafka's works, along with The Trial and The Castle. The story begins when a traveling salesman, Gregor Samsa, wakes up to find himself transformed into a giant insect. Curiously, his condition does not arouse surprise in his family, who merely despise it as an impending burden. As with all of Kafka's works, The Metamorphosis is open to a wide range of interpretations. Most obvious are themes relating to society's treatment of those who are different, the loneliness of isolation, and the absurdity of the human condition.

 

 

The Time Machine is a science fiction novel by H. G. Wells, published in 1895. Wells is generally credited with the popularisation of the concept of time travel by using a vehicle that allows an operator to travel purposefully and selectively. The term "time machine", coined by Wells, is now universally used to refer to such a vehicle. This work is an early example of the Dying Earth subgenre. The portion of the novel that sees the Time Traveller in a distant future where the sun is huge and red also places The Time Machine within the realm of Eschatology; that is the study of the end times, the end of the world, and the ultimate destiny of mankind. The Time Machine has since been adapted into two feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It has also indirectly inspired many more works of fiction in many media.

 

 

Franz Kafka wrote this letter to his father, Hermann Kafka, in November 1919. Max Brod, Kafka’s literary executor, relates that Kafka actually gave the letter to his mother to hand to his father, hoping it might renew a relationship that had lost itself in tension and frustration on both sides. But Kafka’s probing of the deep flaw in their relationship spared neither his father nor himself. He could not help seeing the failure of communication between father and son as another moment in the larger existential predicament depicted in so much of his work. Probably realizing the futility of her son’s gesture, Julie Kafka did not deliver the letter but instead returned it to its author.